Zhejiang compiles digital archives of ancient Chinese paintings

"Hangzhou was the capital of the Southern Song Dynasty and had witnessed its extremely prosperous culture. It is our duty to apply the latest research findings and the most advanced printing technologies into publishing a complete, quality collection of Song Dynasty paintings, meeting the urgent needs of artists, academics, and the general public at home and abroad," said a person in charge of the cultural project.

The Song Dynasty is widely regarded as the golden era for ancient Chinese paintings as the works then boasted diverse themes and painting techniques, masterly skills, and elegant aesthetics that were all unrivalled in any other periods.

The Complete Set of Song Dynasty Paintings was published in 2008. Afterwards, the complete sets of paintings of Yuan (1271-1368), Ming (1368-1644), Qing, and many other dynasties were respectively published, forming a panoramic view of ancient Chinese paintings over two millennia.

When stacked upon one another, these books form a pile that is around four stories high.

The culture project is still unfinished as many paintings in the hands of private collectors and foreign museums have not yet been included. Some of the included paintings still require further research, while some murals, sculptures, architectures that are closely associated with ancient paintings will be included in the digital archives as well.

Zhejiang University has gifted books related to "The Series of Ancient Chinese Paintings" to numerous culture institutes including National Library of China, Palace Museum, Taipei Palace Museum, and a number of university libraries at home and abroad.

Wen Fong (1930-2018), an eminent art historian at Princeton University, once remarked that the series of books will greatly enhance the general public's knowledge about imagery art and contribute to the rejuvenation of Chinese culture.

"Up to this day, not a single country in the world, except China, has managed to comb through all the paintings throughout its history. How lucky I am to engage in such a meaningful culture project in my life!" said Jin Xiaoming, deputy director of Ancient Chinese Calligraphy and Painting Research Center at Zhejiang University.